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Welcome!

A long time ago, in 1997, I started working as an assistant for a director and producer based at Pinewood film studios. The company I started to work for had an 'open submissions' policy, which basically means that anyone and their uncle could send in an unsolicited script. Being at the bottom end of the food chain, it was my job to read them all, while still continuing to juggle the hectic life of a producer's assistant.

At first the idea of it was quite fun, I had already read a few scripts, having worked professionally in the film industry since 1992, but I was in for a shock. Most of the scripts I had read before were written by professionals and many had already been made into films. The quality of open submissions, were, quite frankly, dire. Some sent hand-written, unbound epics that were unreadable, some were in strange typefaces and layout, weird paper, weird language, some made no sense at all, some sent novels, drawings, diagrams and many included a three page letter telling you they had written the latest Hollywood blockbuster... when they sadly hadn't in fact.

My bosses praised the accuracy of my coverage, which was echoed by several top producers. My confidence grew and rather than get bitchy and vitriolic at these abominable attempts at screen writing, I decided to do something positive with my new-found talent and help them improve... and thus, A Rough Guide To Screen writing was born.

It started as a three page mini instruction manual, which had grown to seven pages when I started my website in 2001. By this time, I had started writing myself - it seemed like a good idea at the time, but I was in for another shock - screenwriters get treated worse than runners! But are they not in the holy trinity of Writer, Director, Producer? In theory, yes, but some Directors and Producers don't seem to like the Writer's to know that, so new writing talent faces the hardest challenge to get established in the industry, and in Britain it's even more difficult.

I believe that the greatness of a movie starts with the greatness of a script, so I have set up Screenwriters' Friend to share my existing, accumulated knowledge that I have collected over 14 years. My aim here is to not only improve the quality of screenplays and screenwriting, but in the long term I hope to make a positive difference to a writer's lot in the industry.

Wish me luck!

Jen

p.s. I am still at the beginning of my journey of establishing myself as a professional screenwriter, so don't just blindly follow my advice, do your own research. There are plenty of great screenwriting sites out there. See my top five -->


 

C O N T E N T S :

Screenwriters' F.A.Q.s

Screenwriting Guide

Readers' Checklist

Articles

Copyright & Protection

Links and Contacts

Forum

All about Agents

A-Z List of UK Agents

Writers' Database

More coming soon!




JEN'S TOP FIVE LINKS

wordplayer.com

scriptsales.com

screenwritersnews.com

screentalk.biz

wga.org


LEGAL DISCLAIMER:
The information here is given for guidance only. It is not intended to be taken as specific advice for individual circumstances. It is not to be regarded as constituting legal advice and should not be relied upon as such.

Frequently Asked Questions:

I have a question about screenwriting that is frequently asked, where do I look?
Here! You can also try my Guide for Screenwriters.

I want to write screenplays, how do I go about it?
You will find information on how to write a screenplay on my Guide for Screenwriters page. If you are still at school you can contact Film Education at www.filmeducation.org. If you are looking to go to film school you can find details on my training page. For more details on working in the film industry you can see my employment page.

How do I copyright my film idea/screenplay?
The issues regarding copyright are very complex and change from country to country. In the UK an idea is copyrighted as soon as it's on paper. The complicated bit is to prove ownership of that copyright and that you came up with the idea before anyone else. To protect your creative rights you need to collect evidence of the creative process and create a 'chain of evidence' to prove ownership. For example you have to prove that someone has had access to your work to be able to steal it, so you need to keep all correspondence and a meticulous list of who has read your script and when. Registering your work with an official body before you send it to anyone is a great way to build a chain of evidence, but registration must take place before anyone else reads your script or idea. It is best get advice from the professional bodies that are directly involved, such as the guilds and official registration and copyright bodies relevent to your country and the country you are doing business with, if it's not your own. I have a collection of useful advice and links to many of the official organisations and sites that deal with this complex matter here.

Where do you get this information from, is is gospel?
This is a collection of information collected while working in the industry and I have over 12 years of experience as a professional. My Guide For Screenwriters' started when I was reading and evaluating film scipts for The Grade Company in 1997. I was frustrated with the quality of the submissions and wrote up a set of guidelines, which soon grew and grew into what you see today. Some of the advice is first hand, some of it second. I only have to go by my own and the experiences of people I know and what I hear in the industry. There are no set rules in this industry. I live and work in Britain, so I have a British perspective of the film world, so you should always check for more than one source of information so you can get the broadest spectrum of experience. Always use your common sense and get a second opinion, whether it is just advice or an evaluation of your screenplay. There are a million sites about screenwriting you should check out as well as mine. I have a list of favourites on my Writers Links page.

What is a LOG line?
A LOG-LINE (also sometimes refered to as a TAG-LINE or STRAP-LINE) is an advertising term which describes the film/theme/etc in a line. For example the logline for ALIEN was "In space no-one can hear your scream", JURRASIC PARK: "An adventure 65 million years in the making", ALIENS: "This time it's war!", MARS ATTACKS: "Nice planet. We'll take it" LEON: "If you want the job done right, hire a professional", et cetera.

I have this great idea for a film, but don't know how to write a screenplay. Can you write my screenplay for me?
It is best that you at least try yourself - you may discover a new skill in the process. Check out my my Guide for Screenwriters page. You can send me a one-page synopsis via e-mail, but NOT as an attachment. Remember to copyright all ideas before you send them to anyone.

What is a synopsois?
A SYNOPSIS is a brief account of your story, usually one to three pages long (I recommend sticking to just one page). A brief synopsis is about 25 words to half a page long. A TREATMENT is a more indepth version of a synopsis and is around 15-20 pages long and includes selected dialogue. I personally don't use treatments and use a good strong synopsis to promote my work. See my Guide for Screenwriters page for further details.

Can I send you my screenplay?
No, not at this time as I am very busy developing my own work. I get a great many requests and hope that in the future when I set up my own film production company, I will then be able to take on screenplay submissions. I understand the difficulty of getting started in this industry and list some useful information and contacts on my Guide for Screenwriters pages. You may be able to send me a one-page synopsis via e-mail, but NOT as an attachment. Remember to copyright all ideas before you send them to anyone. Again, there are more details on my Guide for Screenwriters page.

Do you want a writing partner?
Possibly. I am already co-writing several projects, with several different writers. It may be best to get to know me better first. I have a film group http://groups.yahoo.com/group/jengofilmgroup which has many creative members, which you may like to join. To apply for mebership, you need to fill out the application form on my feedback page.

Can you give me a job?
No. Unfortunately I�m not curently in a position to employ people. I hope that this will change in the future. You can fill in details on my feedback form and I can add you to a mailing list. If my position changes you can find out about it on my website. You can list your CV or Resume online for free - check out my film directories and employment pages.

How do I find work in the film Industry?
See my employment page for details.

I want to join your Jengo Film Group.
Membership is restricted to industry professionals or regular visitors to this site. You can apply for membership via the feedback form.

HELP! I cant find what I�m looking for!
There are alphabetically listed link catagories on my A-Z Film Links page. If you have no luck there you can try the search engine www.google.co.uk, The Internet Movie Database www.imdb.com, the British Film Institutes website: www.bfi.org.uk. or you can contact me if you are not sure where to search or it is complicated.

I want to contibute to ScreenWriters� Friend.
Fantastic! contact me how you would like to contibute and what subject you want to cover. Each contibution will be credited and the contributor will also get their own page on Jengo for their CV/Resume. Contributions must be useful information or advice. Suggested links are not counted for a contributor page.

I want to exchange a film link with www.jengo.8m.com.
Wonderful! You can enter details into my feedback form.

I want to join a Jengo Mailing list.
Certainly! You can apply on my feedback form.

What do you do?
See my resume page for details.

LEGAL DISCLAIMER:
The information here is given for guidance only. It is not intended to be taken as specific advice for individual circumstances. It is not to be regarded as constituting legal advice and should not be relied upon as such. This collection of pages are purely advice from my own experience to give you a free helping hand, success is not a guarantee. You should use your own common sense and seek legal advice if you are unsure about anything. Reading this page binds you to a legal agreement that any outcome or lack of outcome is nothing to do with these pages or me and that you promise to never sue me. Yes, working in the film industry has made me paranoid!
Like Fox Mulder says: "Don't trust anyone!"

WRITERS' F.A.Q.s

ROUGH GUIDE FOR SCREENWRITERS

HOLLYWOOD READER'S CHECKLIST

WRITERS' LINKS AND CONTACTS

ALL ABOUT AGENTS

A-Z LIST OF UK AGENTS



| FILM INDUSTRY PORTAL | JEN GOVEY | SITE FAQs |
| FAQs | SCREENWRITING | COPYRIGHT | CHECKLIST | ARTICLES | AGENTS | AGENCIES | LINKS |